The Segovia Scales: Foundations of Classical Guitar Technique
"The practice of scales enables one to solve a greater number of technical problems in a shorter time than the study of any other exercise.” - Andrés Segovia
Unlock the secrets of the fretboard and enhance your technical prowess with this comprehensive course for all guitarists.
Beginners: Dive into accessible materials, including TAB and fretboard diagrams, to develop a solid foundation and expand your knowledge.
Intermediate players: Elevate your playing to an advanced level by mastering a wealth of technical distinctions and refining your skills.
Advanced players: Strengthen your musical foundations while immersing yourself in comprehensive study materials designed for ongoing practice and review.
- learning one octave at a time
- learn and say the note letter names :)
- practicing the right hand alone: "im"
- repeated notes: "6 strokes per note" (also, odd numbers = "alternating crossings")
- putting the hands together
- right-hand thumb "planting" in free stroke technique (string-below-the-string you're playing)
- advantages of the free-floating thumb in rest stroke
- stationary thumb in rest stroke technique
- maintaining the degree of curvature in the fingers while crossing strings (both stroke types)
- instantaneous relaxation as recovery phase and preparation for upcoming stroke
- base-joint as the origin of motion (tip-joint relaxed, or not?)
- wrist & arm mechanics (rotation as compensation for varying finger length)
- wrist & arm mechanics ("feeding" the right arm, thumb on the wood)
- How-to: thoughts on transposing the scales
- three speeds: half, quarter, and eighth notes at 135 BPM
Part 1 (half-notes):
Part 2 (quarter &: eighth-notes):
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Guitarists have an opportunity to hone a great number of technical and musical skills while practicing the Segovia Scales.
Here are some of the areas, if consciously focused upon, that will see marked improvement:
- finger alternation
- coordination & synchronization of the hands
- efficiency & lightness of technique
- articulation (legato and staccato playing)
- shifts
- elasticity and flexibility in both hands
- knowledge of equivalent fingerings
- high register playing
- tone production & projection
- mastery of free stroke & rest stroke technique
- string-crossings (in both hands)
The topics above (and many more) will be addressed in the Technique Masterclass videos found in each chapter.
Remember these words from Maestro Segovia:
"In one hour of scales may be condensed many hours of arduous exercises which are frequently futile."
Download & Print Your PDFs
Notation, TAB, & Fretboard Diagram PDFs
Scale Pattern #1: Two-Octave C Major Scale starting on the 5th string
FREE PREVIEWRight-Hand Fingering & Repeated Notes: "im"
FREE PREVIEWTechnique Masterclass #1: Thoughts on Free Stroke & Rest Stroke
FREE PREVIEWTransposing Pattern #1: Moving the Two-Octave C Major Scale to D♭, D, E♭
FREE PREVIEWPractice-Along: All Pattern #1 Scales as a Single "Flow"
FREE PREVIEWScale Pattern #2: Three-Octave G Major Scale starting on the 6th string
Right-Hand Fingering & Repeated Notes: "mi"
Technique Masterclass #2: Legato & Staccato Articulation in Both Hands
Transposing Pattern #2: Moving the Three-Octave G Major Scale to F♯, A♭, A, B♭, B
Practice-Along: All Pattern #2 Scales as a Single "Flow"
Scale Pattern #3: Two-Octave c Melodic Minor Scale starting on the 5th string
Right-Hand Fingering & Repeated Notes: "ma"
Technique Masterclass #3: Left-Hand Efficiency & Ease
Transposing Pattern #3: Moving the Two-Octave c Melodic Minor Scale to c♯, d, d♯
Practice-Along: All Pattern #3 Scales as a Single "Flow"
“Thanks to the independence and elasticity which the fingers develop through the study of scales, the student will soon acquire a quality which is very difficult to gain later: physical beauty of sound. I say physical, because sonority and its infinite shadings are not the result of stubborn willpower but spring from the innate excellence of the spirit.
In order to derive the greatest possible benefit from the following exercises, play them slowly and vigorously at first, more lightly, and rapidly later. In one hour of scales may be condensed many hours of arduous exercises which are frequently futile. The practice of scales enables one to solve a greater number of technical problems in a shorter time than the study of any other exercise.”
- Andrés Segovia